A New Kiln for Rosedale: a poetic perspective – Part 2

David Mennear – Land of Iron Administration Assistant

A Brief Historic Note

The second and final part of this anonymous but momentous poem, transcribed by the local historian Malcolm Bisby, describes the inherent industrial appeal of ironstone production in the North York Moors and the bustling economy that it brought.  Picking up where Part 1 finished, two years have passed since the collapse and the kilns which have replaced the experimental kiln at Rosedale burn brightly in a never-ending production cycle. They roast (calcine) the ironstone, mined close by, which is then sent on its way to Teesside via the railway.

MB299 Rosedale Railway, East side c. 1903. Locomotive with loaded wagons, 8 in total for Ingleby Incline top was the maximum load. The derelict cottages were known as High Gill Cottages and probably once housed miners and their families. They were later used as farm storage for straw but have since been demolished.

The physical remains of the kilns today, at Bank Top and at Rosedale East, are tangible reminders of the way populations alter the landscape. Although the remains are quiet today, they once thronged with working people (including children) each with their job of work to do as this poem so clearly reminds the modern reader.

The poem ends on an eerily prophetic note as the poet notes that, as long as the furnaces burn, there will be an industry present along with ‘peace and plenty’. The ironstone industry within the North York Moors burned fiercely but briefly, largely coming to the end of ironstone mining and calcining processing by 1929.

After the poem we provide a unique insight into the industrial design of the experimental kilns, and those that replaced it, provided by Malcolm himself.

 ‘Discussion between two friends on the New Kiln while building, noting a few of its’ misfortunes, 1865’

Transcribed by Malcolm Bisby

43. And if this plan at first they’d tried,
T’would saved them much expense.
For two full years have passed away
Since first it did commence.

44. But part of her is burning now,
By day as well as night,
And men and boys are there engaged
To keep this kiln alright.

45. There’s men to tip, and boys to spray,
And coolers there likewise,
There’s red and black men I do see,
And men of every size.

46.There’s horses, and their drivers too
Are ready at a call –
A oft I hear the drivers say
Their wages are too small.

47. The calcine men work down below,
They’re men that look so funny,
And there’s no doubt but all those men
Work very hard for their money.

48. And far under the ground they are,
Beneath this rugged hill,
The miners – and if not for them,
The works would soon stand still.

49. The miners from all men are known,
In the Beer House they talk louder,
And while at work they have to use
Both iron steel and powder.

50. And many think that mining is
A very easy trade
But for their work the miners are
Not much more than half paid.

51. And deputies there are also
To see that all is right,
To prop and timber is their work
The mines to keep alright.

52. With axe and saw they pop about
To see who wants a balk,
And so they hear all kinds of news –
They love a bit of talk.

53. And platelayers there are at work,
Laying inroads and points.
They go round with hammer and nails
To straighten all foul joints.

54. If the platelayers go away,
There soon is something up.
“A wagon’s off the road,” they shout,
“Come, bring t’big bar and sup”

55. We have a furnace in the mines
Which burns both night and day,
For the good of miners when at work
To draw powder smoke away.

56. And two old men attend the fire –
We call them both “Old Dads,”
I wish you like wise for to know
We have some small trap lads.

57. We likewise have two noble men,
In the mines to see fair play,
To see that all men get their rights
There’s one there night and day.

58. Dog Whippers they are called by trade,
The Horse Drivers well they know
They are to tell them what to do,
And where they have to go.

59. The manager comes round to see
That all things do keep right,
I’m sure that he’s got much to do,
In keeping all things straight.

60. So now you’ve heard what there’s to do
Beneath the rugged hill,
But if I was to mention all,
I many a page could fill

Rosedale Miners. Rosedale Local History Society.

61. To bring my story to a close
On the works no longer dwell,
The weighmen I must mention now
Before I bid farewell.

62. Those are the men we have to trust,
Masters on them depend,
And if they’ll do what’s right and just
They’ll never want a friend.

63. I took a walk the other day
Once more this kiln to see,
And to find this kiln completed,
Delight it was to me.

64. I long have wished to hear the news,
That I have heard today,
The men say she is finished,
The boys they shout, “Hooray.”

65. Great Praise is due to the workmen,
For workmanship and skill
For everyone that see her say
She is a noble kiln.

66. All praise unto the gentlemen,
Who the money had to pay,
Some said that she would beggar them
But they have won the day.

67. For now she’s burning briskly,
Some hundred tons a day,
‘Midst all the expense there has been,
She’s sure to pay her way.

68. And long may she keep burning on,
Our gentlemen to cheer,
And while she’s doing well for them
The workmen need not fear.

69. Our prospect’s bright for future years,
There’s work for young and old.
When you’ve heard all I’ve got to say,
There’s still one half untold.

70. And long may peace and plenty reign,
Within this lovely dale,
When the Poet’s tongue lies silent,
In death’s cold chilling vale.

Rosedale East Kilns, mid 20th century?

Malcolm Bisby’s historical commentary

This fascinating poem clearly gives some useful clues as to the construction date and design changes relating to the so called “New Kilns” (or ‘Iron Kilns’). The term ‘New’ used in this case could also mean ‘of different design’ – for these kilns appear to have been a unique, one-off experiment – doubtless hoping for a more efficient calcining process in terms of fuel cost, through put rate of more uniform heat distribution.

However, this very crude system was doomed to be phased out by the gradual development of the Gjers design of calcining kiln (development of this design of kiln began around 1865) – compromising a large upright cylinder: constructed of wrought iron plating, internally lined with a refractory brick lining.

This design of kiln was by far more efficient and easier to operate and was usually sited adjacent to the blast furnaces that they were supplying. The claimed coal to ‘raw’ ironstone ratio was one ton coal to 25 tonnes of raw ironstone.

Malcolm will be presenting the final part of his lecture series (‘Tales over Tea‘) on the Rosedale Ironstone Industry at 2pm, Wednesday 18 July at Danby Village Hall.

A New Kiln for Rosedale: a poetic perspective from 1865 – Part 1

David Mennear – Land of Iron Administration Assistant

A Brief Historical Note

The ironstone industrial sites of the North York Moors and the Cleveland Hills were of great national economic importance in their time (Historic England Listing – Rosedale East Mines calcining kilns and iron mines) and utilised a considerable workforce for this most gruelling of industries in the 19th and early 20th centuries. The massive structures, the sense of progress, the nobility of endeavour, inspired emotional and artistic responses.

Stone Kilns from Nab Scar - copyright Paddy Chambers

A unique contemporary insight into the industrial expansion in Rosedale comes from this wonderfully evocative anonymously-written narrative poem about the New Kiln’s design trialled here – as transcribed by the noted local historian Malcolm Bisby.

The kiln, built as an experiment in 1865 alongside the more traditional designs of the age, provided work for skilled individuals from across the region. Rosedale was productive in both mining quality ironstone and being able to calcine (or roast) it on site, before it was carried away by locomotives along the specially-constructed railways, which extended into the Durham and Tees areas from the heart of the North York Moors. As the poet recalls, the kilns roasted ‘by day as well as night’, a glow which lit the landscape in a way we can only imagine today in the peaceful and tranquil setting of Rosedale . . .

 ‘Discussion between two friends on the New Kiln while building, noting a few of its’ misfortunes, 1865’

 Transcribed by Malcolm Bisby

1. I long have looked for you,
‘Midst all I’ve had to do,
And many changes there has been
Since last I talked with you.

2. I’m glad once more your face to see –
Don’t think that I am joking,
While some say I am far too fast
My lines are provoking.

3. You long have wish’d to know
Our doings in this place,
And I am going to tell you
Although ‘tis a sad disgrace.

4. ‘Tis two full years at least
Since first I came this way,
Come listen and you soon will hear
What I have got to say.

5. At first I shall remind you
When here we sat alone,
And watch’d the men lay down
The first foundation stone.

6. We wondered what all this could mean
Until we saw that man
He said “They’re going to build a kiln
But ten to one she’ll stand.”

7. We did not take much notice then
To see them first begin,
But before they reach’d half the top,
Our fears they did begin,

8. Then people soon began to talk
As shortly you shall hear
Some of them spied a crack or two
And they began to fear.

9. The news soon spread from place to place
In country and in town,
And those who live to see the day
She’ll surely tumble down.

10. The mason work look’d strong and good
For which I shall allow
The master of them all you know
He came from Lastingham town.

11. The fitter came with screws and bolts
To finish and adorn,
It would be better perhaps for me.
To let these men alone.

12. Their work I’m sure it was admired
By all that came this way,
But sad to think as well as say
It shortly all gave way.

13. Then all the skill of man was tried
The kiln for to keep up
But they like all the rest you see
Had nothing but bad luck.

14. Up spoke a workman of this place –
A wild and wicked wretch
“This kiln will fall and that you’ll see,
And kill poor old Frank Petch.”

15. Up spoke another and he said
“Thou wants this kiln to fall,
But if she does thou may depend
It’s a bad job for us all.”

16. “Thou need not start to grunt and growl
About t’bad job, thou’ll see.
There’ll always be plenty of work
For either thee or me.”

17. “Thou doesn’t care for t’masters
When thou thy wage has got,
If’t kiln do fall in spite of us
And beggar all t’job lot.

18. “I don’t think it would beggar them
If she was down today,
Our gentlemen are very rich
As I’ve heard people say.”

19. “They’re very rich I must agree
But they’ve had heavy losses,
She has so many times given way
It’s sure to tax their purses.”

20. Some hundreds of pounds was paid –
Nay, thousand I may say,
But in spite of all that they could do
Part of this kiln gave way.

21. The workmen for awhile stood still
And looked sore amaz’d
And if we’d had the masters here
They might have gone quite craz’d..

Rosedale Kiln and rail wagons - Rosedale History Society Archive

22. It was a pity for to see
This noble kiln diminish’d
And worst of all she fell you know
Before she was quite finished.

23. The bricklayers too I’ve got to mention
Likewise their noble work,
I could not learn what were their names
They said they came from York.

24. And those were men of noble skill
They show’d their work was good
But it would have looked better
If only it had stood.

25. I wish you had been there to hear
The rumours on that day
Go where you will, you hear the cry
The kiln is giving way.

26. You that this kiln have never seen
You may believe my words
She was tied back you soon shall hear
With some large iron rods.

27. The rods began to crack and break
The workmen cried “Begum –
To the Blacksmith’s shop you must away
Tell Carter he’s to come.

28. “And while you thus to Carter go,
The Blacksmith for to tell,
Somebody else must run away,
And fetch Mr. Fell.”

29. And something else I now shall state
As clear as ever I can
And when you hear my story out
I think you’ll know the man.

30. It is not very long ago
They played the man a trick
I shall not state what is his name,
I’ll only say “Old Mick”.

31. This man was tired – There is no doubt
And he’d gone home to bed,
No doubt but this noble kiln
Was running in his head

32. But some one to his door came,
And in a haste did say,
“You must arise, a bad job’s up
The kiln is giving way.”

33. “And will she fall?” the inmate cried
“Yes that she will and soon,
You must be quick and come away
Or before you’re there she’s down”.

34. So without any more enquiring
This man did go to see
And the kiln was standing then alright,
How simple man must be!

35. But tricks like these are far too bad,
To either friend or foe
But what can you expect from those
Which do not better know?

36. I would have them for the future try
To do the best they can
And in their minds to always bear
That manners take the man,

37. But on this point I must not dwell
For they are leading the kiln away
And with the stones they’re mending t’road
I saw the other day.

38. And every body came to see
This kiln when she fell down
T’was such a crash! The news soon spread
In country and in town.

39. T’will be remembered there’s no doubt
As long as we’re alive,
And we’ll tell what passed in Rosedale
In eighteen sixty five.

40. And generations yet to come,
Will remember what I’ve said,
When the noble workmen of this kiln
Lie numbered with the dead

41. But a different plan they’ve tried at last,
And not a better one can be.
Instead of having her all in one,
They’ve made her into three

42. It’s thought she’ll stand and not disgrace
The last inventor’s plan,
But stone to calcine she will burn
Three times the age of man . . .

A view of the Rosedale East new mines as they were best known - Rosedale History Society Archive

We’re only half way through – the finale of this fascinating poem will follow shortly, with a unique commentary by Malcolm Bisby.

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Feed the Birds

Sam Newton – Natural Heritage Trainee, Land of Iron

Ring Ouzel (Turdus torquatus) are a member of the thrush family, and an annual migrant to the UK from Northern Africa. They look similar to Blackbirds (Turdus merula)  but they are slightly smaller and have a striking white neck band which helps identify them (torquatus means wearing a collar). In the UK Ring Ouzels breed in upland areas of Scotland, northern Wales, and north and south west England; hence another name they have – Mountain Blackbird. They can also be seen as they come into and leave the country along the southern and eastern coast.

Male Ring Ouzel - copyright RSPB

Ring Ouzel are a UK Red List species because of their historical population decline – an an estimated 58% population decline from 1988-91 to 1999, and 43% range decline from 1968-72 to 2008-11. This means the birds are endangered in the UK, and are therefore of particular conservation importance. Action is required to try and maintain our population.

Within the North York Moors, local volunteers have identified Rosedale as an important spot for the birds. They’ve studied the population here in detail for the last 18 years.

The Land of Iron Landscape Partnership Scheme has become involved with the aim of improving the local habitats, so helping to ensure Ring Ouzel persists in a landscape whose natural heritage has been shaped by its industrial heritage. It is suggested that the remains of industrial structures in Rosedale provide the crags and gullies that the birds prefer to nest in.

Rosedale landscape. Copyright Tom Mutton, NYMNPA.

A factor identified as a reason for national Ring Ouzel decline has been diet, which is mainly made up of invertebrates and berries. The red berries from the Rowan tree (Sorbus aucuparia) ripen from July into the autumn and are particularly important prior to migration in September when the birds need as much nutrition as possible for the long journey ahead. Within Rosedale, existing Rowan (also known as Mountain Ash) is located on the steep moorland edge – less accessible for sheep grazing, and not burnt as part of moorland management. However, many are now veterans, showing that there has been little natural regeneration recently.

Another view over Rosedale. The dead tree highlights the lack of natural regeneration around it. Copyright NYMNPA.

So with advice from the Rosedale Ring Ouzel volunteer monitors along with support and assistance from the landowner, gamekeepers and grazing tenants; the National Park’s Volunteers and Apprentices have been out planting. It took a while because they were working in some pretty wild weather at the beginning of the year but they eventually managed to plant 150 Rowan trees either in small exclosures or as single trees. These new trees will help to provide the local Ring Ouzels with food into the future.

A small number of aged Rowans surrounded by one of the small exclosures and some of the single scattered trees. Copyright Sam Newton, NYMNPA.

The birds themselves have just arrived back in Rosedale to breed this year.

Have a listen to the BBC’s Tweet of the Day

Starting out in the past

Anna Chapman – Student Placement, Land of Iron Landscape Partnership Scheme

I am a first-year undergraduate studying at Exeter University reading History. Public History is one of my core modules; it focuses on the presentation of historical knowledge into the public sphere and maintaining the efficient and ethical management of heritage. For this module I have to undertake a work place to learn the day to day business of managing a heritage site. The North York Moors National Park with heritage sites across the Park area seemed a natural fit for my placement and the Land of Iron team were kind enough to take me on. With my placement being only a short 40 hours, the team arranged a well packed and varied set of tasks around their National Lottery funded Landscape Partnership Scheme.

Anna sorting finds by material type. Copyright NYMNPA.

The first day here I worked alongside Kim Devereux-West (Land of Iron Cultural Heritage Assistant) at the National Park Authority’s Castleton Depot. We were sorting artefacts from the community archaeology excavations carried out in 2016 and 2017, by material type. I came across a lot of interesting pieces, but if I had to choose one in particular I would have to mention the poison bottles, usually in good condition, but what struck me was how common they seemed to be.

Some of the few none poison bottle finds. Copyright NYMNPA.

Later that day once the fog and rain had cleared we ventured up to visit the Rosedale East ironstone kilns and mines, and associated railway line. Having never been here before it was great to see such a unique and grand piece of heritage not only in its natural state, but also to see the work being done through Land of Iron to maintain the safety of the deteriorating site for the public. The remainder of the kiln structures still held a remarkable presence in the beautiful landscape of the dale, I couldn’t help thinking what a wonderful juxtaposition the views from the top of the pastoral moors must have been against the fully functioning industrial sites in their time.

On the opposite side of the dale we visited the Bank Top calcining kilns. New interpretation boards in development will help provide a fresh and modern learning experience for the public, by telling the Land of Iron stories. As there is little historical record for the miners, kiln workers, railway men and their families, it’s important to convey the site’s known history and what happened there, to ensure these incredible heritage sites are recognised and appreciated.

Industrial heritage sites, Rosedale. Copyright NYMNPA.Having had the luxury of visiting sites along the moors, I also had the opportunity to help out in the Helmsley Headquarters. It was great to learn about the hugely varying roles in the Land of Iron team all working together to progress their Scheme. Having only ever been on the other side of National Park events and projects as a member of the public, it was extremely useful to gain an insight into the work behind the scenes.

I got involved with another aspect of the National Park and heritage, I got to help set up and help manage an event for the public. Malcolm Bisby, a local historian and power bank of knowledge on the Rosedale ironstone industry, is holding a series of talks – ‘Tales over Tea: the story of the Rosedale ironstone industry told over a four-part series‘. Part two of four took place at Danby Village Hall. The venue had had to be changed because his first talk at The Moors National Park Centre was so popular the rest have had to be moved to a larger venue. The previous event space held up to sixty and we were aiming to set up for around eighty. Despite this last-minute change of location and a lot of reliance on word of mouth, the turn out did not disappoint as the Village Hall filled up.  Malcolm gave a knowledgeable and engaging illustrated talk to the eager audience, who were also keen to get to speak to speak to him afterwards, showing how admired he is in the community. It was very useful for me to be able to see how much work it takes in setting up these kind of events and to meet so many enthusiastic people showing how worthwhile all the work is for community heritage.

On my final and very sunny day in Helmsley, I was working again at the Headquarter this time in the IT department with Sandra Kennish. I spent the day scanning published paperwork and entering the information into a database. It is really important to record and organise as much available data and sources as possible, and make this accessible in the future.

On Wednesday 18 April, ICOMOS celebrated the International Day for Monuments and Sites, whose establishment was approved by the 22nd UNESCO General Conference in 1983. The theme for this year was ‘Heritage for Generations’ and the events taking place were led by a group of chosen youth leadership who are emerging professionals in each of their countries. The events that took place were led by these groups using social media, and promoting the protection of cultural heritage with the hashtag #heritage4generations. If you use this hashtag when visiting a monument or event you can share why it may be important to you individually, as each human experience with heritage is different and unique. However, when each individual shares the story behind their monument or heritage, together with the global ICOMOS community, what starts as an individual experience of heritage becomes global, portraying the amazing variety of heritage and the effect it has collectively on culture across the globe. This social media movement is vastly important in encouraging the communication between generations and continuing conversations about heritage, so the cultural changes are documented from one generation to another creating an overall narrative for cultural heritage.

I’d like to thank all the staff at Helmsley for firstly fitting me into their busy schedules and looking after me so well, and secondly for teaching me so much about heritage that is right on my doorstep which before this placement I knew little about. I hope this isn’t my last time being involved in the heritage sector and look forward to visiting the National Park again in the future.

 

 

What on earth is going on?

Gallery

This gallery contains 55 photos.

This Exploited Land of Iron is our HLF Landscape Partnership Scheme focused on the ‘blazing, booming, enterprising’* ironstone industry in and around the North York Moors in the 19th century, and its surviving legacy. The Scheme was officially launched in … Continue reading

Following in the footsteps

Elspeth Ingleby – Natural Heritage Officer, This Exploited Land of Iron

Wildlife can be wonderfully conspicuous – in the UK there are lots of places where you are assured a wealth of wildlife before your very eyes, be it throngs of guillemot on a sea cliff, ducks and geese scrambling for titbits at a local park, or even clouds of the infamous Scottish midge. However many other species can be much harder to discover, whether because of where they live, what they eat or their sensitivity to disturbance.

But with a little effort and some detective work, you can discover a whole new world of wildlife. Spring is a great time to look a little more closely and see what you can find.

Prints, tracks and signs

You can pick up guides to some of the more common prints and signs (the Field Studies Council produce several) and then with a little practice it is possible to find and follow the footsteps of your local wildlife seeing how animals are using the landscape which is their home. Things to look out for include:

  • Bare ground, turned earth or puddle edges which are great for retaining foot prints of passing wildlife – head out a few hours after rain (or snow!) to see what has passed by in the recent past.
  • Patches of white splattered on the ground, branches or tree trunks that are a dead giveaway for a regular perch or roost where the resident has lightened the load before taking flight.
  • The bottom of fences and around the base of trees which can provide rich pickings of hair tufts which can identify who has been there.
  • Holes in the ground that can indicate where a pheasant has scratched, or a badger has dug after worms.

Pellets and poo

You can tell a lot about wildlife from the physical remains they leave behind. Looking a little closer at droppings or the regurgitated pellets of raptors can yield a wealth of information, not only about the eater, but also about the eaten.

At our recent This Exploited Land of Iron launch weekend, we challenged young wildlife explorers to see what they could find within Barn Owl pellets. Within minutes we had identified remains of Field Vole, Common Shrew, Wood Mouse, Robin and Frog showing just what a range of food owls will eat. It’s also fun trying to see how many skulls you can find, or identifying the different bones of the victims’ anatomy!Getting hands on at the Land of Iron launch event (copyright NYMNPA) and photo of Barn Owl (copyright Brian Nellist).

Many of our native predators use scats (animal excrement) as sign posts advertising their presence and territory to others. Surveying some of our shyest mammals is often done almost entirely by poo alone. The distinctive ‘tic-tac’ Water Vole droppings can identify not only where a population is, but also size of inhabited area, number of population, whether breeding or not – where you could be walking every day and never actually see ear nor tail of a Water Vole.Water Vole by WildStock Images

Smell can be a great way to tell different species apart as a careful sniff can tell you a lot. For instance Otters will leave ‘Jasmine scented’ scats often containing fish bones and scales, on prominent rocks in a stream, whereas Foxes will leave grey, foul smelling scats with wisps of hair, bone and beetle shells in the middle of a path giving clues to their daily haunts and diet.

Camera tracking

Trail camera. Copyright NYMNPA.A slightly less ‘hands on’ approach is to wait for the wildlife to come to you. As technology progresses and costs fall, remote cameras are becoming much more accessible – whether you are hoping to learn about a particular species, or simply work out what is digging up your vegetable patch! Our Land of Iron Programme has recently invested in a number of cameras to help us find out more about the shy and elusive Ring Ouzel which breeds around the moorland edge, and is also known as the Mountain Blackbird. The local population in Rosedale has been vulnerable to nest predation in recent years and we are hoping to catch the Ring Ouzel with its distinctive white chest. Copyright North East Wildlife.culprits in the act by staking out key nest sites. We are also expecting these cameras to give us real insights into Ring Ouzel behaviour, informing how we can best support and bolster the population of these beautiful birds. The best bit? – we don’t have to spend the next three months sitting behind a bush to find out!

Rosedale with Rowan in the foreground. Copyright Tom Mutton, NYMNPA.

Animal tracking can be incredibly rewarding, and a great activity to do when you’re out and about – particularly with kids. You can get involved for yourself by joining This Exploited Land of Iron at the upcoming Rosedale History Society Festival on 22 and 23 April where we will be busy dissecting owl pellets, or taking part in one of the family friendly events at The Moors National Park Centre over the Easter holidays, or just heading out yourself for an explore! However when you’re exploring please remember that most of the North York Moors is privately owned and you’d need permission from the landowner to explore over private land.

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A to Z: a multiplicity of Ms

M

MAGNETITE

As mentioned previously, in the 1850s a seam of iron rich ironstone was discovered in Rosedale. Also known as lodestone, magnetite had long been a valued mineral because of the amount of iron ore it contains, so much so that it is often magnetic.

Rosedale - copyright Colin Dilcock, NYMNPA

The discovery in Rosedale led to the rapid development and expansion of the mining and calcining industry there and in the wider area. There were great expectations …

“Professor Phillips delighted and informed the company by his description of the ‘Ironstones of Cleveland’ … The Rosedale band at its richest points, yielded 50 per cent [ore] and in many places 42 per cent. The Rosedale stone was magnetic and contained phosphorous, it was not merely magnetic, but it had an inherent magnetic polarity … There must spring up over the Cleveland district, through the working of the iron ore, great towns, with a numerous and active population; and, as a result, the moorland would be brought under cultivation and this once dismal tract of 20 square miles would rejoice in all the material means that could promote human happiness and prosperity…”

From a meeting of the British Association for the Advancement of Science at Leeds, as reported in the Manchester Courier and Lancashire General Advertiser, 2 October 1858.

However the actual magnetite seam was soon exhausted leaving the industry exploiting poorer ironstone and slowly declining into the 20th century. The magnetite proved to be rather a flash in the pan.

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MESOTROPHIC LAKES

There are very few natural lakes in the North York Moors due to geology and climate, which makes Lake Gormire on the south western edge of the National Park even more remarkable. In the last Ice Age a hollow was formed by a meltwater channel between the edge of the moving Vale of York ice sheet and the edge of the North York Moors gritstone escarpment. The channel damned up and the lake left behind divided into two bodies of water – Gormire and the much smaller, Buttermere.

These are mesotrophic lakes – containing a narrow range of nutrients in medium concentrations. This type of lake chemistry is rare and becoming rarer as lakes are effected by artificially increased levels of nitrogen and phosphorus and so become eutrophic. Lake Gormire is surrounded mainly by semi natural woodland and fed by springs and so largely circumvents the risks of artificial diffuse pollution and nutrient enrichment.

Because of their chemistry Mesotrophic lakes can support higher levels of diversity of macrophytes (algae), aquatic plants, invertebrates and fish. The fen (‘mire’, ‘mere’) plants around Gormire/Buttermere reflect the acid soil, so there is Marsh cinquefoil Potentilla palustris, Common skullcap Scutellaria galericulata and Tufted loosestrife Lysimachia thyrsiflora, as well as Bog bean Menyanthes trifoliata and Water horsetail Equisetum fluviatile. Gormire is particularly popular with noisy water birds, mating toads and freshwater leeches, all exaggerating the primeval sense inside this Ice Age hollow.

Lake Gormire from Cleveland Way, north of Sutton Bank - copyright Mike Kipling, NYMNPA

Lake Gormire and the area around it is a designated Site of Special Scientific Interest. The cliff slope woodland above Lake Gormire is the Garbutt Wood Nature Reserve managed by the Yorkshire Wildlife Trust.

MILKY WAY

The Milky Way is a galaxy of billions of stars and planets sometimes partly visible to the naked eye as a milky looking band of light in the night sky.

Milky Way and Perseid Meteor Shower Sutton Bank - copyright Russ Norman Photography.

We’re in the middle of the Dark Skies Festival 2017 here in the North York Moors National Park. The dark skies over National Parks make it easier to see the lights of the galaxies around us. This February is particularly good for viewing Orion and also a very bright Venus.

February 27 1920   The mysterious stars

…Later in the evening a half-moon shone in a filmy sky across which, from S.E. to N.W., ran a Noë-ship of thin white clouds. A soft mist hung in the far valleys, but the nearer moory slopes loomed clearer. In the pastures the furze bushes were startlingly like huge black beasts grazing on the rimmed herbage. No sounds broke the utter silence of the moonlit hills; the wind had almost died away, but as I stepped over the little rill from Thunderbush Farm [Commondale], I heard its faint, musical ripple.

The ever-mysterious stars flashed through the interspaces of the filmy clouds and circled silently above the dim earth. Sirius flashed due south whilst mighty Orion hung high above the moor edge, his glory somewhat dimmed by the moon. What would life have been without the stars?”

A Man of the Moors: Extracts of the Diaries and Letter of Frank Elgee.

MINI-BEASTS

We use the term mini-beasts for the tiny invertebrates that go without notice until they’re looked at under the microscope and a menagerie of marvel and dread is revealed.

Identifying and counting river invertebrates is a very useful way of assessing the health of a river at a particular spot. Certain species indicate good water quality and others, poor water quality; a change in species/numbers indicate a change in water quality e.g. a pollution incident. There is a national programme of riverfly monitoring led by the Riverfly Partnership. Results are recorded centrally and indications of a potential incidents are reported to the Environment Agency. The National Park run a number of local Riverfly Monitoring Workshops for volunteers – the next one is 1 March.

MOSCHATEL Adoxa Moschatellina

Moschatel is a perennial unobtrusive plant which likes the damp, shady conditions found along woodland edges and on shaded hedge banks. It flowers between March and May, producing five lime green flowers on top of a leafless stalk, four flowers face outwards and one flower faces upwards, forming a cubic which has led to the plant’s other common name – Townhall Clock. The plant grows along the ground through rhizomes with the flower stalks growing up through its leaves to only c. 15cm tall. It is a common plant but easy to miss – look out for it in early spring before it gets hidden by taller plants.

Moschatel at Sieve Dale. Copyright Ami Walker, NYMNPA.

MOTTE AND BAILEY

Historic England suggest there are over 600 motte castles or motte-and-bailey castles in England. These were early medieval fortifications built by the Normans and made up of a large mound of earth/rubble (the ‘motte’) with a defensive palisade and tower on top, and an embanked enclosure with other buildings (the ‘bailey’) adjoining.

A motte and bailey castle could act as a fort when required as well as providing the residence for the local landowner/representative of the King and a centre for feudal power. They were often built on high ground to take advantage of the extra height to dominate the landscape and overlook access routes.

Soon after the beginning of Norman rule in England came the ‘harrying of the north’ – a military campaign to overcome and overwhelm the population in the north of the country and hammer home the idea that the Normans were here to stay. The new motte and bailey castles were a highly visible tool for holding that ground and reinforcing that message.

By the 13th century castle design had moved beyond the basic motte and bailey. Although the timber structures have largely gone, the earthworks are often still traceable in the landscape, and rubble mottes and the remnants of stone towers remain. Many are scheduled. Examples in the North York Moors include Hood Hill, Easby motte, and Foss Castle.

MOTHS

Moths are often considered the poor cousins of butterflies in the Lepidoptera family. The most obvious difference between butterflies and moths are that the former are active during the day whereas moths are mostly (but not all) nocturnal, feeding on the nectar of night blooming/night scented plants. Another difference is that when resting, butterflies usually close their wings whereas moths leave theirs open and this makes it easier to examine their intricate patterning and refined colouring. But as with most ecological questions – what is the difference between butterflies and moths? – there is no obvious answer and always an exception. Moths can be just as colourful, just as beguiling and just as in peril, as butterflies. For more on moth conservation see here.

Shandy Hall, Coxwold has become a location for moth study and reporting over the last few years. The gardens there provide a semi-natural/cultivated habitat for many species – over 400 different species have been recorded in the gardens to date.

Previously on the North York Moors A to Z … A, B, C, D, E, F, G, H, I, J, K, L

End of an era

Our Senior Archaeologist is taking phased retirement, so before he goes he has been asked to reflect on his time with the North York Moors National Park.

Graham Lee – Senior Archaeological Conservation Officer

graham-leeHow do I sum up a career lasting over a quarter of a century in a few paragraphs? It is a strange feeling to have 26 years seemingly flash by so fast.

I started work for the North York Moors National Park in April 1990, having previously worked in the archaeology section of North Yorkshire County Council since the summer of 1983. I had decided many years before that I loved the north of England and had no desire to return to my southern ‘roots’.

Graham had decided many years before that he loved the north of England, whatever the weather ... Copyright - NYMNPA.One of my first tasks with the National Park was the completion of a management survey of one of our large estates, encompassing moorland and large blocks of forestry. This quickly whetted my appetite for the excitement of making new archaeological discoveries – often very subtle earthworks, no more than a handful of centimetres in depth or relief – despite an exceptional tradition of previous high quality archaeological fieldwork in the region. Working solo in large blocks of conifers was a good test of dedication – crawling under the branches of dense stands of conifers searching for vague earthworks mapped in the 1890s – and the steadiness of nerve, when yet another wretched pheasant exploded out of the leafy vegetation where I was just about to step! In recent years the delights of discovery have been broadening thanks to new technology and techniques, especially LiDAR which provides an aerial view through tree and ground-cover vegetation of archaeological remains that were previously hidden or obscured.

If you have a passion for the past, the North York Moors have something for pretty much everyone – enigmatic Neolithic rock art; surviving prehistoric pitted boundaries and avenues; upstanding Bronze Age funerary monuments and field systems; Roman encampments; medieval castles and monasteries…

Human industry is also well represented – from the earliest iron industry through the search for alum into the full-blown “iron rush” of the mid 19th century, the exploitation of coal and jet, and the plentiful local rivers managed to provide motive power for a range of watermills. Research and conservation priorities relating to these local industries finally led to our new HLF Landscape Partnership Scheme, This Exploited Land of Iron. Some 15 or so years in gestation, it is very rewarding to see new generations captured by the excitement of the important remains of our 19th century ironstone industry and the associated development of early railways – although the original scheme for a canal link between Whitby and Pickering would have been a sight to behold and a major tourist attraction if it had ever been built.

Into the 20th century, remains survive here from both world wars – in the form of coastal defences, army camps as well as troop training and target practice areas. Finds are still occasionally made of 2nd World War unexploded ordnance in former training areas across the North York Moors, in particular after the wildfire on Fylingdales Moor in 2003 which affected two square kilometres of heather moorland.

Fylingdales Moor after teh wildfire in 2003. Copyright - NYMNPA.

Although an environmental disaster – the severity of the fire in reducing the shallow peat cover to ash, this event was an archaeological revelation. Virtually everywhere you looked, subtle archaeological remains became visible, including the drip gulleys around former prehistoric round houses, low stony prehistoric boundaries and cairns, large numbers of previously unrecorded examples of Neolithic rock art and occasional shallow trenches which resembled grave cuts with a subsiding infill. As numbers of the latter quickly increased their interpretation became clear – slit trenches from 2nd World War troop training. I remember my first visit to the site after the fire when the ground was reddened and blackened, covered in ash and still smouldering; few trees had survived and many had toppled after the peat holding their roots in place had been burnt away. Flashes of colour were very noticeable, such as an adder emerging from its underground refuge having survived the conflagration. A major project ensued, both to protect and restore the moorland habitat and to record and investigate the breath-taking remains of surviving archaeology.

Rosedale Calcining Kilns in a perilous state. Copyright - NYMNPA.There have always been new specialisms to get to grips with. A visit to the Scheduled Rosedale iron calcining kilns with the Park’s Conservation Director at the time revealed that a portion of one of the kilns’ firebrick linings had collapsed the previous winter. This led to a major conservation project to stabilise these huge monuments which ran for three years in the mid 1990s, a forerunner of This Exploited Land which will continue the efforts to conserve these monumental sites 20 years on.

Conservation project to stabalise the Calcining Kilns in the 1990s. Copyright - NYMNPA.

It has been such a pleasure working with like-minded and dedicated professionals, both in my own National Park, but also with colleagues throughout the family of British National Parks, and Historic England and Natural England. We’ve shared experiences and ideas to the betterment of our discipline from research to management, and also shared the excitement of attempting to bring our subject, which we love, to life for anyone who cares to see and to get involved.

Graham at work - examining finds at an archaeological excavation - Coxwold Creative Minds Project, March 2006. Copyright - NYMNPA.

The National Park Authority is currently looking for a new Senior Archaeologist to lead on archaeology in the North York Moors. The closing date for applications is 26 January 2017.

A to Z: a jumble of Is, Js and Ks

I, J, K

INTAKE and INBYE

An intake is a parcel of land on the fringes of the moorland which has been “taken in” from the moorland and brought under cultivation i.e. farmed, usually by stock grazing. An intake is often separated and demarked from the moorland with drystone walling using the materials to hand. As a habitat these intakes are often a mix of acid grassland, wet rushy areas and remnant areas of heathland species such as bilberry. There are farms on the North York Moors that have the word intake in their name such as Riddings Intake in Westerdale where the farm holding is nearly all intake.

Inbye land is further down from the moorland, usually closer to the farmstead. Inbye is often the most productive land on an upland farm holding and is used for grass production (hay/haylage/silage) and sometimes arable. Inbye can also provide winter grazing as conditions on the higher more remote areas of the farm, the intakes or the moorland beyond, become too harsh for livestock.

IRONSTONE

Ironstone is a rock that contains minerals with an iron element. In the 19th century if the iron elements could be extracted the rock had a value. The ironstone in the Jurassic mud stones of the North York Moors and Cleveland Hills was close enough to the surface to make it relatively easy to mine, coal and limestone resources for processing were available nearby, the same entrepreneurs processing the iron were involved with the development of the railway network, and together this made exploitation worthwhile for a short lived period. The first ironstone mine in the area was Hays Mine near Grosmont which opened in 1837; by 1863, 78 of the 108 blast furnaces in the north east of England were using iron primarily from the North York Moors/Cleveland Hills. Most of the ironstone was of a low grade with a high phosphorous content – magnetite (a much purer iron ore) was discovered in Rosedale in the 1850s but it proved to be the exception and the seams were quickly worked out leaving lesser grade ironstone to maintain the industry here. The development of the Cleveland Practice in iron making in the 1860s meant that the problem of the phosphorous content became surmountable for a while and boosted the value of local ironstone. Because of the low grade it was economically advantageous to calcine the ironstone in blast furnaces close to mine sites rather than pay for conveying the unwanted dross as well, and so the resulting pig iron was then transported by railway to the developing town of Middlesbrough and its emergent steel industry.

Rosedale Bank Top Calcining Kilns today - copyright NYMNPA.

The financial viability of the industry and the companies involved was somewhat helter-skelter. After the initial rush and a period of consolidation for the local industry, better quality iron ore imports and decline after World War 1 saw the last working ironstone mine in the North York Moors close in 1927.

TEL logo band 2_FINAL_exc DRFThe impacts of the ironstone industry on the North York Moors’ landscape and communities are a major focus of our This Exploited Land Scheme.

 

JET

Jet is fossilised waterlogged wood which has been buried between sedimentary rock layers and compressed over millions of years. Buried in isolation and enriched by organic oils jet is formed instead of fractious coal. The wood was mainly from a type of monkey puzzle tree Araucariaceae which grew when the North York Moors were warmer than they are now; plant cellular structures can be seen in real jet.

Jet is only really used for one purpose – ornamentation. The best jet is always pure opaque black. Whitby Jet is a high quality hard jet formed in saline water and so easy to work. The town of Whitby was at the forefront of an upsurge in the popularity of jet jewellery – following the fashion for mourning set by Queen Victoria after the death of her husband Prince Albert in 1852. Jet had previously been collected out of the cliffs or from the sea shore but the heightened demand meant mines were opened across the north of the North York Moors to the west of Whitby; this line is thought to have been the edge of a salt water swamp some 180 million years ago. The enthusiasm for mourning became a social occupation – a widow was expected to wear mourning i.e. black for two years after the death of her husband, although many remained in black for the rest of their lives. Jet was the perfect accessory for the shrouds of mourning.

In mourning - image from http://www.cvltnation.com

Whitby Museum has a fine collection of local jet jewellery.

JOHN BUNTING

John Bunting (1927 – 2002) was born in London and educated at Ampleforth College on the edge of the North York Moors. The area made a considerable impression on him and he returned to the College to teach art in 1955. He also taught at the York School of Art, and later became sculptor in residence at Ampleforth. Without doubt, his religious faith was central to his work.

In the 1950s John Bunting bought a small piece of land on the edge of the ridge above Byland Abbey and on it he created the War Memorial Chapel . He renovated a derelict farm building on the site himself with the help of a Mr Winspear of Oswaldkirk.

The whole chapel is a work of art. The outside and inside commemorate the dead, in particular four named alumni of Ampleforth College, and the peace the dead sacrificed themselves for. The recumbent stone soldier inside the Chapel wearing WWII commando boots connects the modern age with the past, echoing a tomb of a mediaeval Catholic knight.

The Chapel is also known as the Scotch Corner Chapel; it was round about here that in an earlier conflict the Scots defeated the English in battle.

Scotch Corner Chapel - copyright NYMNPA.

The Chapel is occasionally open to the public.

JUNCUS sp.

There are two genera in the rush family common to the UK, luzula and juncus. Rushes can easily be confused with sedges, and even some grasses. As a rule of thumb, grass stems are usually cylindrical and hollow, sedges are triangular and solid whilst rushes are round and filled with pith – hence the common adage ‘sedges have edges and rushes are round’.

Soft rush Juncus effusus is one of the most widespread rushes in the North York Moors, and on the moorland Heath rush Juncus squarrosus is also commonly found. Other locally important rushes include Jointed rush Juncus articulatus, Blunt-flowered rush Juncus subnodulosus and Sharp-flowered rush Juncus acutiflorus.

Rushes are significant for a variety of animal species. Snipe often build their nests at the base of a clump of rushes near water, whilst meadow pipits feed on the seeds in winter. Lapwing, curlew and redshank also benefit from the damp pasture on farmland where rushes can be found. Rushes are an important food source for butterflies; the Large Heath butterfly feeds on Jointed rush.

Pasture with sharp flowered rush - Bilsdale. Copyright Kate Bailey, NYMNPA.

Semi natural rush pasture is usually dominated by rushes. The UK priority habitat – purple moor grass and rush pasture – is found in the North York Moors, on or around moorland and in patches on damper ground around flushes or hollows on inbye land. Rush pasture can be managed with light to moderate grazing. The ideal level keeps the Juncus and Molinia caerulea (purple moor-grass) from becoming dominant and allows other species to flourish in these more vigorous swards. Occasional poaching caused by grazing stock can have the beneficial effect of creating varied soil surfaces and bare ground, which can be colonised by the smaller plants. However, as always, too heavy a grazing level will have a negative impact on the botanical interest. Draining rush pasture removes the vital element of water and will modify the habitat leading to the loss of specialist wetland plants.

Rush pasture in the North York Moors - copyright John Beech, NYMNPA.

JUNIPER (Juniperus communis)

Mature Juniper with good colouration - copyright Alasdair Fagan, NYMNPA.Common Juniper is a coniferous shrub or tree which is both evergreen and perennial. It is also a dioecious plant – plants are either male or female, not both as with many other plant species. It often lives to 100 years and can grow up to 4 metres in height, though it has been recorded at heights of up to 10 metres. It grows in a diversity of forms including as an upright bush, as a low-growing mat or a towering spire. It is typically found on moorland/heathland/downland and in pine and birch woodland habitats. It is one of only three “native” conifers in the UK (alongside Yew and Scot’s Pine).
Juniper bush - copyright Alasdair Fagan, NYMNPA.

Thirty-five insects and three mites are specifically associated with Common Juniper, such as the Juniper carpet moth (Thera juniperata) and the Juniper pug moth (Eupithecia pusillata). Juniper can also provide an important food source for berry-eating birds such as thrushes, fieldfares and waxwing who help spread the seed that passes through them. Juniper berries have Female juniper with berries - copyright Alasdair Fagan, NYMNPA.long been exploited by man too, for their flavour, fragrance and presumed medicinal properties.

Juniper is becoming increasingly rare. There are a small number of plants in the North York Moors. The population here is fragmented, and as Juniper is dioecious to regenerate both genders must be close enough to one another so that the wind-borne pollen of male plants may reach and
pollinate a receptive female. Close up of juniper leaves - copyright Alasdair Fagan, NYMNPA.Otherwise a population has no chance of successfully reproducing and will eventually die out. Juniper seeds become less viable with age, and natural regeneration of Juniper is also vulnerable to moorland management and grazing. Between 1990 and 2012 over 1750 new Juniper plants propagated from local seeds and cuttings, were planted in the North York Moors through a volunteer initiative. The local Forestry Commission have also been planting Juniper on their holdings, for instance at Bumble Wood. The threat of the pathogen Phytophthora austrocedrae means any further propagation work will need to be self sufficient within the North York Moors.

KILNS

A kiln is a structure capable of holding material at temperatures high enough to effect chemical change. Quicklime (or burnt lime) is used to improve soil structure and increase the fertility of acidic soils which are common in the North York Moors. It is also used to bind and render stonework. To abstract one tonne of quicklime from limestone you’d need a lime kiln, two tonnes of limestone, and half a tonne of coal (or similar) as a fuel source. Stack the limestone and fuel in alternate layers inside the kiln and heat to 1100°C. Leave for 4 to 5 days to cool. Be careful, because the end product is unstable.

There are records of lime kilns across the southern North York Moors dating back to the medieval period. Kilns were more common in the south because this is where the limestone is. Kiln structures ranged from single basic clamp lime kilns on farmland to lines of industrial heat-efficient kilns next to limestone quarry sites. Remains of a number of lime kiln structures can still be seen in the North York Moors landscape.

Lime kiln in Harwood Dale - copyright NYMNPA.

Previously on the North York Moors A to Z … A, B, C, D, E, F, G, H