Take two minutes

Alison Goodwin, Moor to Sea Project* Officer

Most of us will have seen the shocking images from David Attenborough’s Blue Planet 2 programme: oceans full of plastic and beaches filled with detritus. On our UK beaches, the Marine Conversation Society revealed in 2018 that just under 7 tonnes of litter was collected at a handful of beaches over a 3 year period.

Since then there’s been a grassroots-level movement emerge with people keen to do more. Whitby Beach Sweep is one such community organization. Running since February 2018 in association with Surfers against Sewage, they’ve been organising community litter picks along Whitby beaches. Eager to expand their focus to reach wider audiences, they’ve now linked up with the #2minutebeachclean board initiative. By promoting the scheme through social media, and by having a physical board sited on the beach, it’s hoped others will be encouraged to lend a hand.

Close up on a #2minutebeachclean board. Copyright NYMNPA.

These #2minutebeachclean boards are looked after by ‘guardians’ and provide volunteers with all the necessary equipment and instructions. This simple idea run by Beachclean.net has reduced beach litter by 61% in trials. With such good statistics, it’s clear to see why Whitby Beach Sweep thinks it’s a good investment. So we’ve helped support their vision by donating funds towards purchasing more boards.

Beach clean launch - Whitby Beach Sweep and Whitby Surf School. Copyright NYMNPA.

Last week saw the unveiling of the Whitby board outside Whitby Surf School, who’ve kindly volunteered to look after it.  In the next couple of weeks, boards at Staithes and Runswick Bay will also be in situ. Don’t forget to look out for them if you’re out and about – and feel free to share the love and have a go.

*A Coastal Communities Fund funded project 

Coastal Communities Fund logo

Sea Life, See Life: coastal heritage

Gareth Dockerty – Sea Life, See Life Project Coordinator

We’re currently running the ‘Sea Life, See Life’ project, which is funded through the Coastal Communities Fund. Our project includes a number of heritage restoration and cultural enhancement schemes in the village of Robin Hood’s Bay, working with the local community and Parish Council.

Lanterns

Victorian style metal lantern - Robin Hood's Bay. Image - Sea Life, See Life Project. Modern urban plastic lantern - Robin Hood's Bay. Image - Sea Life, See Life Project.We’ve replaced eight street lanterns around the village, removing modern urban plastic lights for ‘Victorian style’ lanterns with modern LED down lighting to limit light pollution. The lantern pattern is unique to the village and is modelled on the original Victorian lantern at the old railway station. Where possible the existing wall brackets or fittings have been restored.

Standpipes and water fountains

We’ve also commissioned the replacement and renovation of some of the village’s other local gems from standpipes to water fountains. Up until the start of the 20th century water was collected daily from standpipes and water fountains located around the village. The project has funded the re-installation of a Victorian water fountain in an original location along with the refurbishment of standpipes and has erected small metal plaques that let visitors know about the heritage significance of such features.

The original fountain as it once stood was removed decades ago. The fountain nowReplacement fountain to be installed. Image - Sea Life, See Life Project.The original water fountain in situ in Robin Hood's Bay. Image - Sea Life, See Life Project. installed is a genuine Victorian fountain similar to the original. Generously bought and renovated by a local resident it was installed in full working order by CCF funding and will be looked after by the Parish Council to ensure future generations get to admire it within the streetscape.

It is not the intention to preserve the village in the Victorian era; the style of the lanterns and the fountain and standpipes add to the visual character of the village which is valued by both locals and visitors.

RNLI donation fish

As previously reported on this Blog, Robin Hood’s Bay is the proud location of the oldest known RNLI donation box, in the form of an impressive cast iron cod fish. It has stood in the same place for over a century accepting donations, long after the lifeboat has gone. However, sea air and high tides mean it has needed maintenance a number of times over the past few decades. Our project has funded the complete restoration of the fish and associated plaques by a local business who specialise in oil rig and marine corrosion. The fish will once again stand as a testament to the bravery of the RNLI crews past and present, and to those in peril on the sea.

The RNLI donation recepticle in Robin Hood’s Bay has been proudly accepting donations for over a century. Image - Sea Life, See Life Project.

Bank Top car park

The project has continued with the piscine theme at Bank Top car park. Anyone who knows Robin Hood’s Bay will be aware that the village contains a long steep bank from the top of the cliffs down to the shore.

The three carved fish posts to be installed at Bank Top car park. Image - Sea Life, See Life Project.At the car park our dedicated National Park Coast Volunteers are preparing to install some bollards with a difference. The tired looking posts are being replaced by new locally sourced oak posts, including three carved cod fish, welcoming people to this historic fishing village and linking back to the RNLI fish down the hill.

Volunteers have also installed bike racks in the car park. The lack of suitable bike parking was a priority for the Parish Council.

Seawall Mosaic

The Sea wall today; a blank canvas ready for the new mosaic celebrating Robin Hood’s Bay. Image - Sea Life, See Life Project.The current seawall is to be decorated. A 50 metre mosaic installation will hang along a section of the seawall to celebrate ‘the Bay’ through time from the dinosaurs through to the modern day. The mosaic will illustrate landslides and lost houses, smuggling around the wild North Sea, the arrival of the railway and the birth of the bucket and spade holiday destination.

Through suggestion boxes, online surveys and poetry the local community and visitors have shared what the village means to them and how it makes them feel, and what they feel are the most important themes from the past.
This sketch represents the tightknit community within the ‘higgledy-piggledy’ narrow streets and fisherman cottages as the harsh sea erodes the cliffs. Image - Sea Life, See Life Project.

 One of the mosaic boards being made - this one illustrates the famous Victorian postcards. Image - Sea Life, See Life Project.One of the mosaic boards being made - this one illustrates a Jurassic dinosaur footprint highlighting the regions rich fossil heritage. Image - Sea Life, See Life Project.

There will be over 50 boards in total and the finished artwork will be installed later this year.

A to Z: a collection of Cs

C

CANON ATKINSON – a literary celebrity

John Christopher Atkinson (1814–1900) was an author and antiquarian. He was born in Essex, and ordained a priest in 1842. Progressing from a curacy in Scarborough, he first became domestic chaplain to the 7th Viscount Downe in 1847 before in the same year being made Vicar of Danby. So Atkinson  relocated to this isolated Parish in the Cleveland Hills.

Danby Parish and the surrounding area offered a new panorama to a gentleman antiquarian. Atkinson explored the history and natural history of his parish and acquired a unique knowledge of local legends and contemporary customs using primary sources i.e. his parishioners and the landscape around him. He produced studies on local dialects and, in 1872 he published the first volume of ‘The History of Cleveland, Ancient and Modern’. He went on to write and edit a number of books and was recognised in his lifetime with an honorary degree from the University of Durham. By far his best-known work was a collection of local legends, traditions and reflections on modern rural life which he published in 1891, with the title ‘Forty Years in a Moorland Parish: reminiscences and researches in Danby in Cleveland’.

Atkinson died at the Vicarage in Danby, on 31 March 1900, and is buried at St Hilda’s Church in Danby Dale. He was married three times and fathered thirteen children, in between his writing.

CLAPPER BRIDGES

Clapper bridges are rare in the North York Moors and where they do survive they are often hard to find due to their simple functional appearance which is often hidden by a modern highway road obscuring their unique construction.

Clapper bridge - copyright NYMNPA

Underside of a clapper bridge - copyright NYMNPAThey are one of the earliest known bridge designs – the design is found across the world. Clapper bridges were built with long, thin slabs of stone to make a beam-type deck and with large rocks or piles of stones for piers. Some clapper bridges were wide enough to accommodate a cart, while others were designed for pedestrians or horse riders only, with carts crossing at a ford alongside the bridge. The word “clapper” could derive from an Anglo-Saxon word – cleaca – meaning “bridging the stepping stones”, but it is also suggested that the word derives from the Medieval Latin – claperius – meaning “a pile of stones”.

Clapper bridges would have once have been common in Britain but over time these bridges began to fall into disuse as more substantial methods of bridge construction were needed and, undoubtedly, many clapper bridges were destroyed to make room for newer bridges.

Clapper bridges are most commonly found on upland areas in Britain. Elsewhere the importance of these bridges is recognised and protected through designation but as yetClapper bridge near Castleton - copyright NYMNPA there are no listed clapper bridges in the North York Moors. We’re keen to make sure that all surviving bridges in the North York Moors are at least recorded; please let us know if you come across one. Graham, our Senior Archaeological Conservation Officer, found this one near Castleton while out walking. An application has been made to Historic England to help secure its survival.

CLEVELAND PRACTICE

The Cleveland Practice of blast-furnace technology for iron-making relates to a move away from large stone furnace structures towards larger, less enduring iron-clad construction. The zenith of this practice was reached in the Cleveland area from the mid-1860s, when for about 10 years the region took a world lead in blast-furnace practice. By 1875, the Cleveland area was producing 32% of the national output making it the greatest single iron-making district in the world.

The Cleveland Practice was distinctive, with the ironstone always first roasted in a calcining kiln, close to the blast-furnaces, to which it would be transferred whilst still hot. The blast-furnaces took the form of tall cylinders, rising to a height of 80 feet, with an average capacity of 30,000 cubic feet. Furnaces were worked with closed top systems to avoid heat loss, with multiple hot-blast blowing engines used at higher speed / pressure and with powerful machinery to move supplies to the kiln tops more efficiently. This technique was developed specifically to smelt large quantities of relatively low grade ironstone as cheaply as possible and, to achieve this, reliance was placed on improving energy efficiency – the height of the furnace stack was increased in order to utilize the heat generated at the base of the furnace to heat the materials being charged in at the top. The disadvantage of poor quality Cleveland ironstone (generally with a purity of only 26-33%) was offset by the huge quantities that were available locally and the high quality coke from the Durham coalfields to smelt it.

The transition from the old style blast furnaces to the new ‘Cleveland Practice’ style can be seen between the sites of the Beckhole and the Grosmont Ironworks in the North York Moors. The low quality ironstone from the Moors was contributing to the total at this stage but our most important period was pre-1850; once the Eston Mines came on-stream in the 1850s they were producing enormous quantities of (relatively poor-grade) ironstone which invigorated the rise of Teesside at the end of the 19th century.

COMMUNITIES…in general

Unlike in many other National Parks across the world, National Parks in the UK have human populations. People continue to shape the landscape, conserve their cultural heritage and maintain their natural environment. The nature of the North York Moors landscape means we have a pattern of dispersed settlements and individual farmsteads making up the communities in our National Park. The majority of communities are small fairly isolated settlements with a limited range of services and facilities. Given the chance however communities work hard to make the most out of what is practical and to provide essential services as well as retaining and promoting a strong proactive sense of community and identity. The National Park Authority’s planning policies within our Local Development Framework allow for some limited development opportunities including the creation of new facilities, housing and employment.  We have a long track record of working with communities whether that’s information exchange through regular Parish Forum meetings or the provision of funding support for community ideas through our Community Grant and the recent North York Moors, Coast and Hills LEADER Programme.  See also below.

COASTAL COMMUNITIES…in particular

The North York Moors National Park has 26-miles of coastline with towering cliffs and rocky shores, steep wooded valleys, sheltered bays and sandy beaches. To showcase this fantastic coastline and the natural, fishing, artistic and culinary heritage of the coastal villages such as Robin Hood’s Bay, Staithes and Runswick Bay, we’ve secured £455,000 from the PrintCoastal Communities Fund (CCF) to deliver the ‘Sea Life, See Life’ initiative from now until the end of December 2016. The Fund aims to encourage the economic development of UK coastal communities, and through this project we’re looking to attract new visitors who want to do something different, and to encourage visitors to stay longer and spend more.

Fishing coble at Staithes - copyright Brian Nicholson, NYMNPA

It’s a partnership project, with the National Park Authority working with local businesses and communities to define what really makes this area special and different. Workshops and skills training will set up local businesses and communities to be ready to guide visitors to the high quality experiences available and encourage them to support local supply chains to strengthen and sustain the North York Moors’ economy. The project includes small-scale infrastructure projects such as interpretation, heritage restoration works, village improvements, and new public artwork to be delivered alongside a strong public relations and social-media led campaign. There’s also support for new events, festivals and activities, including an interactive trail in Staithes to capitalise on CBeebies’ Old Jack’s Boat, which is filmed in the village.

COMMON COTTON GRASS Eriophorum angustifolium

Patches of cotton grass – featherlike white smidgens of fluff – flutter in the early summer across the wetter areas of moorland .

Cotton Grass - copyright NYMNPA

Cotton grass is a sedge, not actually a grass. A sedge is a grass/rush like plant with triangular solid stems and unassuming flowers which usually grow on wet ground.

CONNECTIVITY

We do go on a bit about Habitat Connectivity on our Blog. That’s because it’s the fundamental concept articulated by Sir John Lawton in his Making Space for Nature review in 2010 which is guiding natural environment conservation efforts across the country. In the North York Moors we’re putting connectivity principles into practice working at a local scale.

Slide 1

BETTER ecologically valuable habitat sites through improving condition

Slide 2

BIGGER ecologically valuable habitat sites through expansion and bufferingSlide 3jpg

MORE ecologically valuable habitat sites through creation and enhancement

Slide 4

BETTER CONNECTED ecologically valuable habitats through creation/enhancement of corridors and stepping stones

Slide 5

The result is a connected landscape making it easier for species to move through

Slide 6

CROSSES

The remains of stone crosses can be found across the moorland area of the North York Moors. They are such a particular feature of the area that the North York Moors National Park took Young Ralph’s Cross to be its emblem.

The survival of original moorland crosses is very variable – some only comprise the base or socket stones, whilst others appear more complete, although the latter may be due to modern repairs or replacement – such as Ainhowe Cross on Spaunton Moor which was replaced in the 19th century. There are different styles of cross-heads – such as wheelheads (White Cross and Steeple Cross) and the simple upright cross shafts with projecting arms (such as Young and Old Ralph, Mauley and Malo crosses) – the latter make up the majority of the surviving examples.

Old Ralph Cross - copyright Tammy Andrews, NYMNPA

In the North York Moors the most relevant reasons for the original crosses seems to be as way-markers, boundary markers and memorials – potentially all three at once. For a Christian traveller coming across a symbol and reminder of Christianity whilst crossing the desolate moorland must have given hope and succour. Crosses may also have been erected by landowners to mark boundaries and as a good deed, or pre-existing crosses used as a local landmark to help define a boundary. The most famous memorial cross on the Moors is also meant to be the earliest – Lilla’s Cross – which is said to mark the burial site of the servant who sacrificed his own life to save that of his King, Edwin of Northumbria, in the 7th century AD. Although the surviving roughly cut maltese cross is actually dated approximately to the 10th century AD.

Lilla Cross - copyright Mike Kipling for NYMNPA

After the Protestant Reformation in England, the cross came to be seen by some as a symbol of superstition and this led to the slighting and destruction of individual moorland crosses. This may help to explain – in addition to weathering and deterioration over hundreds of years – why so many crosses today are missing their upper shafts and cross arms.

A new stone cross was erected in Rosedale in 2000 to mark the Millennium, continuing a cultural tradition of the local area.Millennium Cross, Rosedale - copyright Jay Marrison, NYMNPA

Previously on the North York Moors A to Z … A, B