Howard Selina – Artist
FRAGMENTS OF THE OLD IRONSTONE RAILWAY TRACK,
FROM ROSEDALE EAST MINE TO OVEREND FARM.
NORTH YORK MOORS
10 SEPTEMBER 2020
[NB: ALL IMAGES ARE COPYRIGHT PROTECTED]
I first began to document local walks, using a sequence of 12 images, fairly early on in 2020; and it was idea that emerged from two different sources.
In 2019 I made a 12 image photo-piece to illustrate a poem by R S Thomas; extracting individual words, in sequence, from the poem, and linking them to 12 small, almost abstract, images. And in the previous winter I had photographed various collections of twigs on the freshly ‘snow-covered-towpath’ of my local canal.
So, when lock-down descended on us all in late March 2020, I suddenly found myself retracing local track-ways and paths, that were to become increasingly familiar. And in that repeated retracing, I became increasingly aware that there was another landscape beneath my feet; one that reflected, in many ways, the landscape around me, but that also carried a story and a beauty of its own.
And so the first work, in what was to become an on-going series of works, was born. ‘Still Traces:1’, used 12 images, with words, to document a walk from canal-bridge 56, quite near where I live in Marsden, to the banks of the infant river Colne, a little way up the valley.
But the year moved on; and by September, when the travel restrictions that had affected all of us began to relax, the faithful, old, converted-VW-van – imaginatively christened Van Rouge on account of the colour! – could once again be pointed at a semi-distant landscape for exploring.
Having been born in Leeds – and having been lucky enough to possess a bicycle at a time when roads could be enjoyably cycled on – the coast of Yorkshire was always a favourite destination. And as anyone who has cycled from almost anywhere to Whitby will testify – the North York Moors are quite difficult to ignore!
But if one looks beyond their obvious, and formidable, ‘physical presence’, they also represent an incredible diversity of both natural and human history; and it was my discovery – mainly through gazing intently at Ordnance Survey maps and wondering, it has to be said – of the now vanished industries that once flourished on the moors, that has triggered numerous visits to the area over the years; be it to the old limekilns above Rosedale, or the, slightly mind-boggling in scale, Ingleby Incline.
However, the track-bed of the old railway in Rosedale had always fascinated me – especially the distinct ‘horse-shoe’ loop at Rosedale Head – and so, one morning in September 2020, Van Rouge was fired into action and we headed for the moors.
After parking on Daleside Road, and climbing the track on the western edge of Swine Stye Hill, I think the first thing that will hit any first-time visitor to this section of track-bed is the sheer scale of the workings at the old East Mines – a cross between, for me at least, some ancient Egyptian monument, and a colossal mausoleum. But whatever one might make of it, the scale of the industrial operation that took place around the area is quite astonishing to contemplate.
The 12 images, and the words, are just one small ‘response’, to a truly magical landscape…
The photographs were taken in the sequence presented, starting just before East Mines and ending on the farm track leading back to Daleside Road – the only one that might cause ‘puzzlement’ I would guess being the rabbit: An image for which I can offer no explanation. That is was dead, and very recently, was obvious. But why it had died, remains a mystery.
‘Rosedale Head’ and other works in the ‘Another Landscape’ series can be found at:
Along with other artwork – both documented and physical – dating back to 1972.