Beth Davies – Building Conservation Officer
We visit a huge number of sites throughout the North York Moors during the course of our work and occasionally we’re lucky enough to come across something on the more unusual side.
Like this stone noticed on a farm in Danby – we think it was used as an egg cooler.
This stone (below) is in a field in Glaisdale and the owner advised me it was an apple press. There certainly appears to be a drain on the near side which would suggest it was used to collect some form of liquid.
It’s noticeable that the cross shape is very similar to those found on ‘witches posts’ in vernacular long houses, especially those in recusant Catholic outposts like Glaisdale. Did the cross have a purely functional purpose in getting the juice to run out in channels? … did it help protect the juice from evil misdoings by witches? … did the cross shape signify covert faithfulness to the old religion after the Reformation?
This (above) is a picture of a ‘witch post’ trans-located along with the rest of Stang End Cottage from Danby to the Ryedale Folk Museum in Hutton le Hole. The post is supporting the bressumar beam above and there is the heck (draught proof screen) behind. It’s called a ‘witch post’ because of the pattern carved at the top which is thought to be there to protect the house and the hearth. Similar carved posts in houses seem to be a particular feature of the North York Moors, but it’s not clear when they were first associated with witches.
The North York Moors contains a number of ‘cup and ring’ stones (see below). These are usually in-situ rocks which have been engraved in prehistoric times with patterns – the ‘cup’ markings are concave shapes and the ‘ring’ markings are concentric circles. These types of engraving are found in a number of places in Europe and beyond and it is this similarity of the ‘cup and ring’ patterns in different places that makes them particularly significant. There are various explanations of how and why involving semiotics, cryptography and mythology, as well as archaeology.
People like to leave their mark. Below is an example of 19th century rock art (graffiti) at an ironstone industrial railway site in the North York Moors – it shows a man in a top hat, and a bird. I don’t suppose there is any meaning behind it other than someone passing the time and representing what they were seeing around them.
We’re always keen to hear about odd cultural remnants in the North York Moors and different interpretations of their functions. Please let us know if you can help.