The true wild daffodil, Narcissus pseudonarcissus, is the only species of wild daffodil that is native to the UK. Wild daffodils thrive in partially shaded areas such as woodlands, on river banks and in fields with clay or loam soils that are not too acidic. It is locally abundant in the North York Moors, with Farndale being a well-known location.
The wild daffodil differs from the varieties we are so used to seeing in our gardens; the plants are smaller and the flowers are a pale yellow. Despite their diminutive size, there is always an impressive display each spring at locations across the National Park. We aim to promote the importance of the wild daffodil and there are guided walks each spring led by our Voluntary Rangers to explain the wild flowers to visitors and to present them in all their glory.
The National Park Authority’s Species Action Plan for the daffodil also includes a target to monitor the population of wild daffodils within the National Park. Monitoring takes place each spring time in Farndale and Rosedale to record the size and extent of the population. Dedicated volunteers take photos from a fixed point each year when the daffodils are at their best; this is a great way to compare populations year by year. The daffodils in Farndale have been monitored for many years and a baseline survey was undertaken in Rosedale in 2013 so that monitoring can take place in subsequent years. Threats to the wild daffodil include invasive non-native plant species, incompatible grazing regimes and trampling by stock and people; we work closely with land owners and managers to make sure that the daffodils can be conserved and encouraged.
Deer Parks were essentially mediaeval game reserves, enclosed by an internal ditch and outer bank to make escape for the animals more difficult, the latter often topped with a wooden fence or even – as time went on – a wall. The boundaries would generally also include deer leaps which made it easy for deer to jump into an emparked area but very difficult to jump out again – thus increasing the size of the ‘trapped’ herd. Some early parks are thought to date from the Anglo-Saxon period but the number increased greatly under the Normans, where they were used as hunting preserves principally for sport. The name ‘park’ and also ‘hay’, a term also used, refer to the fence or hedge which enclosed the parks, and thus came to also mean the area enclosed. Initially largely a royal prerogative, members of the nobility and landed gentry also came to be allowed to hold and maintain Deer Parks which would also be valued as additional sources of winter food from a self-supporting herd of deer. These exclusive game reserves meant that an important potential food supply was legally denied to the local common people.
Creation of a Deer Park generally seems to have required a royal licence (for which payment would, of course, be due) but many examples are known for which no licences have yet been found. It is thought that if your land was remote from the monarch’s deer parks and forests, you might chance your arm and create your own prestigious park without seeking royal permission. Although more exotic animals are recorded at times within certain royal parks, the ‘beasts’ within would normally be fallow and red deer.
In the North York Moors we have records of at least 20 Deer Parks, varying in size from c.51 acres at Danby Old Park up to c.2,240 acres at Duncombe Park, considered at one time to be the 6th largest Deer Park in England. The parks are likely to have varied in size over time – both shrinking and enlarging as their boundaries were moved to better fit the landscape, using valleys and rivers, and to reflect changes in land ownership, wealth and taste. The post-medieval representation of Deer Parks on maps is likely to portray their later function as prestige structures within managed landscapes alongside great houses. They were considered to be of sufficient importance in the early days of national surveying in the 16/17th centuries to be mapped by Christopher Saxton, John Speed and others – a good indication of their viability and continued existence – although Saxton’s survey did miss out a number of important local Deer Parks in this area which were almost certainly still in existence at the time (such as Carlton, Fylingdales, Ingleby Greenhow, Kildale).
Some local dialect words tend to hang on in some way despite of or because of the universality of modern communication, and new words are always being invented and adapted, whilst others just seem to disappear.
From a Dialect Glossary of words and idioms in use in the North Riding of Yorkshire by Richard Blakeborough published in Saltburn by the Sea in 1912, here are some past (?) examples:
A Pig is a Dakky, a Swift is a Devil-screamer, and a Ladybird is a Doody or Dundy-cow.
A Donnot is a dirty-bottomed (untrustworthy in every way) immoral female and is no doubt a daudle (a slovenly idle person) as well, probably bedecked in danglements (superfluous trinkets) and all set on an evening of dilldrum (boisterous merry making).
At darkening, dal’d oot ‘n dowly Daytalman mayk’s ‘is way ‘oam down’t road through drazzle, ‘n feels t’ deeath-smear as ‘ee stumbles on’t dozzen’d deear-stan ‘n lays deeazment ‘n deafly.
The North York Moors provide a variety of architectural characteristics and influences which add to the special qualities of our built heritage which can be seen today. Whilst there are many distinguishing features to talk about, for the purposes of this particular blog post (i.e. things starting with D) we are looking at doors and the array of different styles throughout the National Park.
Planked doors – The earliest timber doors were of a simple planked construction consisting of vertical planks, sometimes up to 12 inches wide and unequal in width, with a simple pencil mould detail fixed to horizontal timber ledges. These types of doors are characteristic of the small moorland farmsteads and cottages where buildings were simple and functional. The more modern equivalents are often made up of narrower boards (around 6 inches) with a plain v-groove (rather than a traditional pencil mould detail) surrounded by a frame and lack the character, detail and interest found with the older doors.
Panelled doors – These styles of doors are a feature within our villages and towns as home owners often remodelled their properties to keep up with the then current architectural style. Panelled doors are used to describe the doors from the Georgian, Victorian and Edwardian eras and are usually divided into four or six sections with some panels filled with glass. Unlike the modern off the peg doors of today, a joiner made door can incorporate traditional details such as ‘raised and fielded’ panels or the use of a ‘bolection mould’ which are distinctive features of good quality historic door.
Non-vernacular style doors – The coastal villages of the North York Moors such as Staithes and Robin Hood’s Bay are perhaps where you find the greatest variety of styles. It is clear to see in Staithes that the village underwent somewhat of a 1930’s re-vamp as these styles of doors are common throughout the village and now add to its architectural character and interest.
Robin Hood’s Bay is perhaps more unique with a host of different styles incorporating elaborate panelling, frames and canopies.
In order to help protect these features, many of the designated Conservation Areas within the North York Moors are covered by an Article 4 Direction which means that planning permission is required for the alteration or replacement of doors and other features such as windows and boundary treatments. If you are thinking on carrying out alterations to your property it is always best to seek advice first from the Local Planning Authority.
Needing a local celebrity starting with D, and it being around Halloween, and although Whitby isn’t actually within the National Park it is an iconic town in the North York Moors, and although he is a fictional rather than a real character …Bram Stoker was real, and he definitely visited the environs of the North York Moors.
“(PASTED IN MINA MURRAY’S JOURNAL)
From a correspondent.
One of the greatest and suddenest storms on record has just been experienced here, with results both strange and unique. The weather had been somewhat sultry, but not to any degree uncommon in the month of August. Saturday evening was as fine as was ever known, and the great body of holiday-makers laid out yesterday for visits to Mulgrave Woods, Robin Hood’s Bay, Rig Mill, Runswick, Staithes, and the various trips in the neighborhood of Whitby…
…Shortly before ten o’clock the stillness of the air grew quite oppressive, and the silence was so marked that the bleating of a sheep inland or the barking of a dog in the town was distinctly heard, and the band on the pier, with its lively French air, was like a dischord in the great harmony of nature’s silence. A little after midnight came a strange sound from over the sea, and high overhead the air began to carry a strange, faint, hollow booming…
…Then without warning the tempest broke. With a rapidity which, at the time, seemed incredible, and even afterwards is impossible to realize, the whole aspect of nature at once became convulsed. The waves rose in growing fury, each overtopping its fellow, till in a very few minutes the lately glassy sea was like a roaring and devouring monster. Whitecrested waves beat madly on the level sands and rushed up the shelving cliffs. Others broke over the piers, and with their spume swept the lanthorns of the lighthouses which rise from the end of either pier of Whitby Harbour.
… The wind suddenly shifted to the northeast, and the remnant of the sea fog melted in the blast. And then, mirabile dictu, between the piers, leaping from wave to wave as it rushed at headlong speed, swept the strange schooner before the blast, with all sail set, and gained the safety of the harbour. The searchlight followed her, and a shudder ran through all who saw her, for lashed to the helm was a corpse, with drooping head, which swung horribly to and fro at each motion of the ship. No other form could be seen on the deck at all.
A great awe came on all as they realised that the ship, as if by a miracle, had found the harbour, unsteered save by the hand of a dead man! However, all took place more quickly than it takes to write these words. The schooner paused not, but rushing across the harbour, pitched herself on that accumulation of sand and gravel washed by many tides and many storms into the southeast corner of the pier jutting under the East Cliff, known locally as Tate Hill Pier.
There was of course a considerable concussion as the vessel drove up on the sand heap. Every spar, rope, and stay was strained, and some of the `top-hammer’ came crashing down. But, strangest of all, the very instant the shore was touched, an immense dog sprang up on deck from below, as if shot up by the concussion, and running forward, jumped from the bow on the sand.
Making straight for the steep cliff, where the churchyard hangs over the laneway to the East Pier so steeply that some of the flat tombstones, thruffsteans or through-stones, as they call them in Whitby vernacular, actually project over where the sustaining cliff has fallen away, it disappeared in the darkness, which seemed intensified just beyond the focus of the searchlight.
…Already the sudden storm is passing, and its fierceness is abating. Crowds are scattering backward, and the sky is beginning to redden over the Yorkshire wolds…”
From Dracula by Bram Stoker, 1897.
Along the western edge of the North York Moors are the Hambleton Hills which form an escarpment edge to the plateau of the Moors. Running along this edge is the Hambleton Drove Road part of a long distance north-south route used by Drovers moving herds of cattle down from Scotland and through England to market towns, the biggest destination being Smithfield Market in London.
Moving cattle (i.e. wealth) around has gone on for 1000s of years. Where more animals could be raised than were needed for subsistence a value could be realised and hence a trade developed and it was only sensible to move the cattle alive under their own steam to where they would raise the best price. Large scale droving reached its peak in Britain in the 16th to 18th centuries before changes in agriculture and transportation negated the need.
The Hambleton Drove Road route itself is known to be a prehistoric ridgeway valued for its panoramic views by subsequent Drovers as well as the original Iron Age farmers. The Drovers appreciated the same higher ground for security from wild animals and dangerous people. The uplands also provided wide verges and free grazing, and to some extent softer ground for the cattle’s feet. In the 18th century when toll roads were built, the green trackways of the uplands remained unobstructed and free of charge.
The Hambleton Drove Road survives as a trackway route worn by feet, hooves and cart wheels over centuries of droving.
Drystone walls (or dykes in Scotland) are walls built without any mortar to bind the stones together. The skill in their construction comes from interlocking stones and using compressional forces to construct a solid boundary (hence why if building a wall on a slope you start at the bottom and work your way to the top). They are typically seen in areas where there is abundant stone in the landscape or where the weather conditions are unfavourable for supporting a hedge boundary. Drystone walls are part of the heritage of the North York Moors, having crisscrossed the landscape for generations.
Drystone walls vary from location to location. Even within one area such as this National Park there are many different building styles. Most walls consist of a layer of foundation stones at the bottom, with stone then built up in layers and finished off with coping stones at the top. Every join on the wall should be bridged by a stone above. Double skinned walls have two outside ‘skins’ of stone which are filled with hearting stones. The two skins should taper from bottom to top (this is known as the batter) and throughstones should be used which help bind the wall together. Single skinned walls on the other hand consist of only one skin of stone, and therefore don’t use heartings.
Coping stone style varies from wall to wall as well. Some walls use large upright coping stones, whilst others use thinner pieces laid at an angle. Some even use coping stones laid face down.
There are many features of interest often built into drystone walls. Smoots (or bolt-holes) are used to give water and small animals passage through the wall. Sheep-creeps (or lunkys) on the other hand allow larger animals like sheep to pass through the wall, and in historic times would be blocked off or opened up with a large stone as and when needed.
Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it
And spills the upper boulders in the sun,
And makes gaps even two can pass abreast…
Robert Frost’s words in Mending Wall strike a chord for many of our drystone walls in the North York Moors. Although a well-built drystone wall will usually stand for at least 20 years, the sheer number of walls in our National Park means that at any one time many are in a state of disrepair. The National Park Authority’s Traditional Boundary Scheme aims to help land managers conserve some of the most visible walls in the North York Moors.
It is common practice when building a wall that will be used as a stock-proof boundary to also use either top wire or top netting. This helps ensure that cattle or sheep don’t cause unnecessary damage.
There are miles of drystone walls across the North York Moors, with some believed to demarcate boundaries going back to the Iron Age. It is certain that they are of historic and cultural importance to the area so here’s hoping that they will still be standing in another thousand years!
DUKE OF BURGUNDY (Hamearis lucina)
The Duke of Burgundy butterfly is found in scattered colonies in central southern England, but isolated colonies also remain in the south of Cumbria and the southern edge of the North York Moors.The species is in decline nationally; at sites monitored by transect, numbers have decreased by 49% between 1979 and 2012 (source: www.ukbms.org.uk). It is now one of the rarest butterflies in Britain.
The Duke of Burgundy likes a habitat mosaic either scrubby grasslands or sunny woodland clearings, and requires large lush cowslip or primrose plants where the female can lay her eggs on the undersides of the leaves and which the larvae eat when they hatch. The sun can make a real difference – following warm spring weather the butterfly can emerge 2 to 3 weeks earlier on south facing slopes compared to north facing slopes and so extend the season.
The butterfly faces a series of threats, in particular inappropriate habitat management (e.g. too much/not enough scrub control, too much/not enough grazing), habitat fragmentation and population isolation. Habitat stepping stones and corridor connections between sites are important to improve gene transfer between the small populations and to enable recolonization within the local range.
Butterfly Conservation has been leading a project in the south of the North York Moors aimed at stabalising the existing Duke of Burgundy colonies, re-colonising extinct sites and establishing new colonies through re-introduction. Work undertaken has included an extensive programme of habitat management to open up sites and establish the conditions best suited to the species.